Another Banaue Rice Terraces postcard in my collection.
STATEMENT OF SIGNIFICANCE:
The rice terraces is of world significance archeologically, ecologically, engineering and architecturally, and socially. It is the only Philippine monument constructed without foreign intervention. In terms of engineering, it is an ingenious system of hydraulics designed to provide and distribute water equitably from upper to lower terraces. Architecturally, the houses of the Ifugao terraces reflect the shape, condition and materials of the mountain. Socially, terraces as cultural landscape, distinctly exhibits the intricate relation of man to his environment in terms of myths, rituals, traditions and life ways.
In Asia, the Philippine terraces is distinctive because they are situated with sloped of up to 70 percent. Archeologically, the rice terraces are dated at 1000 B.C., establishing an early complex farming and irrigation system in the mountains. Ecologically, it is environment-friendly, manifested in the use of upland rice varieties, the contouring of mountainsides, waterways and protected forests.
RELATED ENTRY:
Banaue Rice Terraces Postcards
SOURCE:
Pamanaraan: Writings on Philippine Heritage Management
By Eric Babar Zerrudo
Chapter 7: Ifugao Rice Terraces, pp. 159-160
08 January, 2009
07 January, 2009
Banaue Rice Terraces Postcard
Here is another Banaue Rice Terraces postcard. The terraces is spread over most of the 20,000 square kilometer land area. The terraces is also an ingenious system of hydraulics and local engineering. Water irrigation and system has been designed to provide adjacent terraces with enough water from the upper to the lower terraces. This was done through a series ad creative use of dams, canals, pipes and stones.
RELATED ENTRY:
Banaue Rice Terraces Postcards
SOURCE:
Pamanaraan: Writings on Philippine Heritage Management
By Eric Babar Zerrudo
Chapter 7: Ifugao Rice Terraces, p 158
RELATED ENTRY:
Banaue Rice Terraces Postcards
SOURCE:
Pamanaraan: Writings on Philippine Heritage Management
By Eric Babar Zerrudo
Chapter 7: Ifugao Rice Terraces, p 158
06 January, 2009
Banaue Rice Terraces Postcard
This is another Banaue Rice Terraces postcard. The Rice Terraces are commonly referred to by Filipinos as the "Eighth Wonder of the World," and is the only monument in the country that was constructed without any influence of foreign intervention. All tilling and maintenance of the terraces must be done manually.
There are also other similar rice terraces in Asia, like those in Vietnam and China, but the Philippine terraces are situated at much higher altitudes. The slopes terraces in the Cordillera are at approximately 70 degrees maximum of Bali. The terraces are situated at altitudes varying from 700 to 1500 meters above sea level. Also the entire extent of the Philippine terraces is still in active agricultural use today, unlike those in other countries that have been abandoned.
RELATED ENTRY:
Banaue Rice Terraces Postcards
SOURCES:
Banaue Rice Terraces Wikipedia Entry
Pamanaraan: Writings on Philippine Heritage Management
By Eric Babar Zerrudo
Chapter 7: Ifugao Rice Terraces, p. 155
There are also other similar rice terraces in Asia, like those in Vietnam and China, but the Philippine terraces are situated at much higher altitudes. The slopes terraces in the Cordillera are at approximately 70 degrees maximum of Bali. The terraces are situated at altitudes varying from 700 to 1500 meters above sea level. Also the entire extent of the Philippine terraces is still in active agricultural use today, unlike those in other countries that have been abandoned.
RELATED ENTRY:
Banaue Rice Terraces Postcards
SOURCES:
Banaue Rice Terraces Wikipedia Entry
Pamanaraan: Writings on Philippine Heritage Management
By Eric Babar Zerrudo
Chapter 7: Ifugao Rice Terraces, p. 155
05 January, 2009
Banaue Rice Terraces Postcard
The postcard shows the Banaue Rice Terraces or the Ifugao Rice Terraces which epitomize the absolute blending of the physical, socio-cultural, economic, religious, and political environment. Indeed, it is a living cultural landscape of unparalleled beauty.
Banaue Rice Terraces Postcard
UNESCO World Heritage Statement of Significance:
Criterion (iii): The rice terraces are a dramatic testimony to a community’s sustainable and primarily communal system of rice production, based on harvesting water from the forest clad mountain tops and creating stone terraces and ponds, a system that has survived for two millennia.
Criterion (iv): The rice terraces are a memorial to the history and labour of more than a thousand generations of small-scale farmers who, working together as a community, have created a landscape based on a delicate and sustainable use of natural resources.
Criterion (v): The rice terraces are an outstanding example of land-use resulting from a harmonious interaction between people and their environment which has produced a steep terraced landscape of great aesthetic beauty, now vulnerable to social and economic changes.
RELATED ENTRY:Banaue Rice Terraces Postcards
SOURCE:
UNESCO World Heritage: Rice Terraces of the Philippine Cordilleras
04 January, 2009
Painting Postcard
The postcard shows another painting by Lourdes Oben Santos. The painting in the postcard is entitled St. Lorenzo Ruiz and Companion Martyrs. The back of the postcard mentions some information about the painting, but not if it's in a private collection or museum:
1981
Oil on canvas
The postcard shows the kneeling Saint Lorenzo Ruiz, the first Filipino saint, Dominican Catholic priests and Japanese Catholics. At the top left part of the painting is the tsurushi.
Lorenzo Ruiz, who was falsely accused of killing a Spaniard, sought asylum on board a ship that left for Japan. The boat landed at Okinawa and the group was arrest and persecuted because of their Christian religion, and were brought to Nagasaki. On September 27, 1637, Ruiz and his companions were taken to the "Mountain of Martyrs", where they were hung upside down into a pit known as horca y hoya, or tsurushi (hence it can be seen on the postcard). Two days after, Ruiz died from hemorrhage and suffocation. His body was cremated and his ashes were thrown into the sea.
Lorenzo Ruiz was beatified in Manila on February 18, 1981 by Pope John Paul II during his Papal visit to Manila. San Lorenzo Ruiz was elevated to Sainthood and canonized by Pope John Paul II in the Vatican City, Rome on October 18, 1987 making him the first Filipino saint and the first Filipino martyr.
SOURCES:
Lorenzo Ruiz Wikipedia Entry
1981
Oil on canvas
The postcard shows the kneeling Saint Lorenzo Ruiz, the first Filipino saint, Dominican Catholic priests and Japanese Catholics. At the top left part of the painting is the tsurushi.
Lorenzo Ruiz, who was falsely accused of killing a Spaniard, sought asylum on board a ship that left for Japan. The boat landed at Okinawa and the group was arrest and persecuted because of their Christian religion, and were brought to Nagasaki. On September 27, 1637, Ruiz and his companions were taken to the "Mountain of Martyrs", where they were hung upside down into a pit known as horca y hoya, or tsurushi (hence it can be seen on the postcard). Two days after, Ruiz died from hemorrhage and suffocation. His body was cremated and his ashes were thrown into the sea.
Lorenzo Ruiz was beatified in Manila on February 18, 1981 by Pope John Paul II during his Papal visit to Manila. San Lorenzo Ruiz was elevated to Sainthood and canonized by Pope John Paul II in the Vatican City, Rome on October 18, 1987 making him the first Filipino saint and the first Filipino martyr.
SOURCES:
Lorenzo Ruiz Wikipedia Entry
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